Film crew standing in long grass beside an open safari vehicle at sunset, one person taking a photo on a phone.

Why Experience Can Be The Biggest Risk On a Shoot

Film crew standing in long grass beside an open safari vehicle at sunset, one person taking a photo on a phone.

Why Experience Can Be The Biggest Risk On a Shoot

The biggest risks on a production aren’t always created by inexperienced people. Sometimes the risk comes from people who know exactly what they’re doing. Experienced crews know the format. They… read more

What it actually takes to plan a stunt that looks spontaneous

The best moments in factual TV are often the ones that look like they just happened. A car finds the perfect line through a corner. A drift kicks off at… read more

What should a TV production risk assessment include?

A TV production risk assessment should include eight core sections Use this as a production risk assessment checklist before your next shoot: The level of detail in each section should… read more

remote location on ice

Risk assessments for remote filming locations

You’ve done risk assessments before. Plenty of them. So putting one together for a shoot in a remote location overseas shouldn’t be so different, right? It’s very different. Thinking otherwise… read more

How to Write a Risk Assessment for a TV Production

Staring at a blank document wondering where to start is one of the most familiar feelings in production risk management. You know you need a risk assessment that fits the… read more

Global TV Production Risk Management at Scale

Operational lessons from a multi-continent premium factual series. As premium factual becomes more ambitious, production risk becomes more complex. Larger budgets, remote environments, specialist activities and globally recognised talent all… read more

Production crew filming on location in challenging conditions

Risk Assessment for Filming: What Productions Need to Know

Every shoot carries risk. The job of a risk assessment for filming isn’t to eliminate that risk — it’s to identify it clearly, think through the controls, and make sure… read more

SKYSCRAPER LIVE: THE DECISION-MAKING THAT MAKES “IMPOSSIBLE” TV POSSIBLE

Live, high-profile stunts have a habit of looking deceptively simple on screen. A person climbs. Cameras follow. The world watches. What you do not see is the decision architecture, the… read more

Running out of time? Here’s how to build a production risk assessment fast.

Not every production has the luxury of time. Schedules shift. Locations change. Editorial moves quickly. But the expectation stays the same: a clear, structured production risk assessment that reflects the… read more

Why judgement still sits at the heart of production risk

In high-risk television production, risk management is often discussed as process: documentation, sign-off, compliance. In reality, it is something far more dynamic, a discipline that exists to enable productions to… read more